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Describe how color relates to the themes addressed in these photographs. Explain how Eggleston and Mediavilla use color to establish a focal point in their photographs. Analyze to what extent color contributes to the sequencing of Mediavilla’s photo-essay. Analyze to what extent color makes Eggleston’s and Mediavilla’s photographs subjective or objective for the reader. Cite at least one example from your course readings to support your analysis. (Approximately 2–3 paragraphs). • Eggleston, W. (n.d.). Memphis, c. 1969–70. Retrieved from http://www.masters-of-photography.com/E/eggleston/eggleston_woman_on_curb_full.html • Mediavilla, H. (2007). The Congolese Sape: Hector Mediavilla. Retrieved from http://v1.zonezero.com/exposiciones/fotografos/mediavilla/index.html