Robert Berlind in ‘Art and Old Age’ notes that ‘in a society enthralled by the ideals of youth and productivity, the aged, collectively, become the “other”’. Critically investigate how older artists have visually responded to this social ‘othering’. Essay Dissertation Help

Robert Berlind in ‘Art and Old Age’ notes that ‘in a society enthralled by the ideals of youth and productivity, the aged, collectively, become the “other”’.
Critically investigate how older artists have visually responded to this social ‘othering’.
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Some references that you can use:
(I said 16 references in the choices but you can change that)

The Ageing Body
– Beauvoir, Simone, Old Age (London: Penguin, 1977)
– Berlind, Robert (ed.), Art Journal, Vol. 53, No.1, Art and Old Age (Spring, 1994)
– Blomberg, Katja, ‘Beyond Paradise’ available via https://www.melaniemanchot.net/1998/09/15/look-at-you-
loving-me-text-2/
– Bytheway, Bill, ‘Visual Representations of Late Life’ in C. A. Faircloth (ed.), Aging Bodies: Images and Everyday Experience (Walnut Creek, Lanham & Oxford: Altamira
Press, 2003), pp. 29-53
– Chevirer, Jean-Francois, ‘The Life of Forms: Fragmentation and Montage’ in J. Coplans, A Self-Portrait, 1984, 1997 (New York: Contemporary Art Centre, 1999), pp.140
-155
– Coplans, John interviewed by Robert Berlind, Art Journal, Vol. 53, No.1 (Spring, 1994), pp.33-34 17

– Coplans, John, A Body (Powerhouse Books, 2002)
– Coplans, John, ‘Seeing from Inside’, MoMA, No.47 (Spring, 1988), p.3
– Faircloth, Christopher A., ‘Introduction – Different Bodies and the Paradox of Aging: Locating Aging Bodies in
Images and Everyday Experience’ in C. A. Faircloth (ed.), Aging Bodies: Images and Everyday Experience
(Walnut Creek, Lanham & Oxford: Altamira Press, 2003), pp.1-26
– Frankel, David (ed.) & Nixon, Nicholas, The Brown Sisters: Forty Years (New York: MOMA, 2014)
– Freeth, Steve, ‘Nude Descending Staircase (with Zimmer Frame) (1999), accessible via:
https://www.elladreyfus.com/gallery.php?galleryid=4&page=reviews#review18
– Frueh, Joanna, ‘The Erotic as Social Security’, Art Journal, 53:1, 1994, pp.66-72
– Galassi, Peter. “Nicholas Nixon: The Brown Sisters.” MoMA, vol. 2, no. 8, 1999, pp. 31–33.
www.jstor.org/stable/4420399.
– Hammer, Martin, The Naked Portrait: 1900-2007 (Edinburgh: National Galleries of Scotland, 2007)
– Higgs, P. & McGowan, F., ‘Aging, embodiment and the negotiation of the Third and Fourth Ages’ in Kampf,
A., Marshall, L. & Petersen, A. (eds.), Aging Men, Masculinities and Modern Medicine (London & New York:
Routledge, 2013), pp.21-34
– Hopkinson, Amanda, ‘Melanie Manchot and her Mother’, Portfolio, 29, accessible via
https://www.melaniemanchot.net/1999/09/15/portfolio-29/
– Marter, Joan. “Joan Semmel’s Nudes: The Erotic Self and the Masquerade.” Woman’s Art Journal, vol. 16, no. 2, 1995, pp. 24–28. www.jstor.org/stable/1358571.
– Moeschel, Peter, ‘Images of the Body: On Sensory Perception in Medicine and in Everyday Life’ in G. Brandstetter (ed.), Remembering the Body (Ostfildern – Ruit:
Hatje Cantz, 2000), pp.286-300
– Millner, Jacqueline, ‘Age and Consent’ (1998) in Age and Consent catalogue, accessible via: https://www.elladreyfus.com/gallery.php?galleryid=4&page=reviews#review18
– Ribbat, Christoph. “‘Out of It’? Old Age and Photographic Portraiture.” Amerikastudien / American Studies, vol. 56, no. 1, 2011, pp. 67–84.
www.jstor.org/stable/23317639.
– Townsend, Chris, Vile Bodies: Photography and the Crisis of Looking (Prestel, 1998), pp102-4

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