Contrasting the Symbology and Imagery in T. S. Eliot’s Poetry Two sonnets distributed in 1910, distributed in 1917, “Alfred Prufrock’s Love Song” and “Wind Rhapsody” were composed by writers and artistic pundit TS Eliot. The imagery and picture of a lady communicated in folklore, the area and scene of the saint, or the idea of the two sonnets intended to go are fundamentally the same as however altogether different. “J · Alfred · Prourok’s Love Song” is about a man with low certainty who is stressed over setting off to the gathering around evening time, I am persuaded that the lady there is won’t and giggling. Thomas Stearns Eliot, ordinarily known as T. S. Eliot, was conceived in St. Louis, Missouri on September 26, 1888. From the 1920s to the furthest limit of the century, he was viewed as one of the extraordinary pioneers of the innovator verse development. A portion of his contemporary procedures can be seen with such badlands, four groups of four and works like J. Alfred Pullflock. He inhaled new life into the universe of verse with jargon, style, and verse of interwoven. He broke the old standard and made his own universal inside his significant articles. A valuable conversation in Eliot’s sonnet is TS Elriott’s Elizabeth Drew: His Poetry Design (New York: Scribner, 1949) 118-22, and TS Eliot’s Grover Smith. Verse and theater (Chicago: University of Chicago, 1960) 121-25. Daniel A. Har-ris portrays Magus as a crude Christian with “secretive riddle”. As he would like to think his article “Elliot’s Language, History, and Text” – “Mystical Journey”, PMLA 95 (1980): 838-56. In any case, Harris’ view was addressed by William Scarf in a letter from PMLA 96. (1981) 420 – 22: “In the ‘travel’ Elliot has battled with his own confidence that received performer’s play cover to communicate, his actual” strict situation in 1927 ” Leonardo Anger examined twice about “supernatural visit” in his work “T. S. Eliot: Time and Pattern”. Both concern nature and picture change. In the main model, Anger looked at the utilization of “disappointment” by Eliot and Conrad. Outrage feels that the meaning of their words is “missed”, on account of Elliot this will supplement the hypothesis of vagueness in change (147). Maggie missed “mature age” they loose before the introduction of Christ. “Additionally, Elliott’s olfactive picture in the later sections of verse generally focuses to the development of things, the smell of the earth and the sea.” His decision is that the smell of nature is critical in the entirety of Elliott’s works, and it signifies “the most profound, the most grounded”. Cognizance “(181) essay.com/T. Nature and Transformation in Eliot’s “Enchantment Journey”: Criticism of Book Review T. Eliot’s Nature and Transformation in ‘Otherworldly Journey’: Review of Critiques in Books>